Kyle Ford Photography http://www.kylefordphotography.com Kyle Ford Photography Mon, 13 May 2013 11:44:30 +0000 http://www.kylefordphotography.com en Auragraph http://www.kylefordphotography.com/Auragraph http://www.kylefordphotography.com/following/kylefordphotography.com/Auragraph Mon, 13 May 2013 11:44:30 +0000 Kyle Ford Photography 2347279 <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph001_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph001_o.jpg" data-mid="11794018" border="0" align="left"/> Inset of Front <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph002_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph002_o.jpg" data-mid="11794019" border="0" align="left"/> Inset of Corner <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph004_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph004_o.jpg" data-mid="11794020" border="0" align="left"/> Inset of Back ARTIST STATEMENT A record formed from the emanation or exhalation existent in the presence of a moment. Every experience or event is recorded in our memory through a series of chemical changes within our body. Each of which are directly dependent upon events unique circumstances. Similarly, the process of exposing a light-sensitive sheet of paper to the atmosphere of an event physically and chemically alters its form, forever changing its future state. This work attempts to encapsulate the aura of a moment. It is not an accurate visual or aural document of an event, but rather a document present during a moment and thus forever altered by that moment. Consider if you will the supra-sensuous experience often felt when handling historic objects existent during a certain period in time. Differing from a photographic print, separated by glass, then negative, then glass again in the enlarger, the auragraph comes in direct contact with the moment. Rid of all other descriptive qualities -visual, aural, or otherwise- the auragraph suggests an uninfluenced view of the exhalation of a moment. PROCESS STATEMENT An auragraph is produced by pulling photographic paper from its light-tight container and exposing it to the elements of a specific moment in time. Upon the passing of that moment the chemically altered sheet of paper is resealed in its container before being processed in a traditional dark room, fixing its altered state permanently. Inset of Front Inset of Corner Inset of Back ARTIST STATEMENT A record formed from the emanation or exhalation existent in the presence of a moment. Every... Forever Wild http://www.kylefordphotography.com/Forever-Wild http://www.kylefordphotography.com/following/kylefordphotography.com/Forever-Wild Tue, 31 Jan 2012 18:37:33 +0000 Kyle Ford Photography 2233885 <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFishandGameClub_800.jpg" width="800" height="636" width_o="800" height_o="636" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFishandGameClub_o.jpg" data-mid="11201852" border="0" align="left"/>Clay Pigeons <img src="http://payload.cargocollective.com/1/5/165221/2233885/ProtectedLand_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/ProtectedLand_o.jpg" data-mid="24520289" border="0" align="left"/>State Protected Land <img src="http://payload.cargocollective.com/1/5/165221/2233885/LotForSale_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/LotForSale_o.jpg" data-mid="11249950" border="0" align="left"/>Lot For Sale <img src="http://payload.cargocollective.com/1/5/165221/2233885/MattinWanakenaVERT2_800.jpg" width="800" height="1007" width_o="800" height_o="1007" src_o="http://payload.cargocollective.com/1/5/165221/2233885/MattinWanakenaVERT2_o.jpg" data-mid="17839487" border="0" align="left"/>Matthew, Wanakena <img src="http://payload.cargocollective.com/1/5/165221/2233885/Sherriff-sCabin_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Sherriff-sCabin_o.jpg" data-mid="12047572" border="0" align="left"/>Sheriff's Cabin <img src="http://payload.cargocollective.com/1/5/165221/2233885/PostedSigns_800.jpg" width="800" height="960" width_o="800" height_o="960" src_o="http://payload.cargocollective.com/1/5/165221/2233885/PostedSigns_o.jpg" data-mid="26574161" border="0" align="left"/>Posted Sign <img src="http://payload.cargocollective.com/1/5/165221/2233885/SherwoodForest_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/SherwoodForest_o.jpg" data-mid="12047569" border="0" align="left"/>Motor Inn <img src="http://payload.cargocollective.com/1/5/165221/2233885/Bigelow Road_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Bigelow Road_o.jpg" data-mid="11231741" border="0" align="left"/>Nicholas, On Bigelow Road <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFlume_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFlume_o.jpg" data-mid="11188811" border="0" align="left"/>Swimming Hole<img src="http://payload.cargocollective.com/1/5/165221/2233885/TheGeneralStore_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheGeneralStore_o.jpg" data-mid="11190853" border="0" align="left"/>General Store <img src="http://payload.cargocollective.com/1/5/165221/2233885/FrontierTownv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/FrontierTownv2_o.jpg" data-mid="12047578" border="0" align="left"/>Frontier Town <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFloodv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFloodv2_o.jpg" data-mid="12047580" border="0" align="left"/>After the Thaw <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFirstSnowVERT2_800.jpg" width="800" height="1000" width_o="800" height_o="1000" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFirstSnowVERT2_o.jpg" data-mid="17839359" border="0" align="left"/>Boat Launch at First Snow <img src="http://payload.cargocollective.com/1/5/165221/2233885/katespigs_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/katespigs_o.jpg" data-mid="11356246" border="0" align="left"/>Before the Slaughter <img src="http://payload.cargocollective.com/1/5/165221/2233885/Beaver Lodge_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Beaver Lodge_o.jpg" data-mid="12047581" border="0" align="left"/>Roadside Swamp with Beaver Lodge In the 1890’s a boundary of 6.1 million acres in northern New York was placed under constitutional protection forming the largest park in the continental US. Since then, all public land in this place has been governmentally sanctioned as “forever wild.” Currently in progress, these images are a series about the tenacious relationship between the land and inhabitants of this park. This work is currently being shot and thus regularly altered. Return frequently to watch the series evolve. The project has been generously supported by Kodak Professional. Clay Pigeons State Protected Land Lot For Sale Matthew, Wanakena Sheriff's Cabin Posted Sign Motor Inn Nicholas, On Bigelow Road Swimming HoleGeneral Store Frontier... An American Road Trip http://www.kylefordphotography.com/An-American-Road-Trip http://www.kylefordphotography.com/following/kylefordphotography.com/An-American-Road-Trip Thu, 01 Dec 2011 17:23:40 +0000 Kyle Ford Photography 2242782 <img src="http://payload.cargocollective.com/1/5/165221/2242782/4843-36.5722N 11343-26.9122W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/4843-36.5722N 11343-26.9122W_o.jpg" data-mid="11226439" border="0" align="left"/>48°43'36.57"N 113°43'26.91"W Informed by the visual lexicon of the ‘great American road trip’, this work ponders the mediated and often predetermined nature of our experience with our country’s landscape. Emphasis is placed on locations, views, and subjects repeated throughout our landscape’s photographic history. Using a large format camera and Google street view, I have been capturing roadside vistas of iconic locations fitting for the canon of the great American road trip. Often times, the exact choice of subject, or best general view, is determined by the amount of photographs taken at a given location and posted to social media sites like Panoramio and Flickr. <img src="http://payload.cargocollective.com/1/5/165221/2242782/3602-52.3922N 11205-39.0022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3602-52.3922N 11205-39.0022W_o.jpg" data-mid="11226443" border="0" align="left"/>36°02'52.39"N 112°05'39.00"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3743-14.0022N 11938-54.5022Wv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3743-14.0022N 11938-54.5022Wv2_o.jpg" data-mid="11226458" border="0" align="left"/>37°43'14.00"N 119°38'54.50"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3935-15.7622N 10538-32.1622W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3935-15.7622N 10538-32.1622W_o.jpg" data-mid="11226450" border="0" align="left"/>39°35'15.76"N 105°38'32.16"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3638-22.5522N 10849-32.7222W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3638-22.5522N 10849-32.7222W_o.jpg" data-mid="11226473" border="0" align="left"/>36°38'22.55"N 108°49'32.72"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3742-54.6622N 11940-35.4922W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3742-54.6622N 11940-35.4922W_o.jpg" data-mid="11226512" border="0" align="left"/>37°42'54.66"N 119°40'35.49"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3659-06.4722N 11010-50.9022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3659-06.4722N 11010-50.9022W_o.jpg" data-mid="11226523" border="0" align="left"/>36°59'06.47"N 110°10'50.90"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/4432-05.9722N 11048-06.5322W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/4432-05.9722N 11048-06.5322W_o.jpg" data-mid="11226548" border="0" align="left"/>44°32'05.97"N 110°48'06.53"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3742-14.0022N 11940-54.5022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3742-14.0022N 11940-54.5022W_o.jpg" data-mid="11226712" border="0" align="left"/>37°42'14.00"N 119°40'54.50"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3744-23.2322N 11934-15.8022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3744-23.2322N 11934-15.8022W_o.jpg" data-mid="11226715" border="0" align="left"/>37°44'23.23"N 119°34'15.80"W 48°43'36.57"N 113°43'26.91"W Informed by the visual lexicon of the ‘great American road trip’, this work ponders the mediated and often predetermined nature... Second Nature http://www.kylefordphotography.com/Second-Nature http://www.kylefordphotography.com/following/kylefordphotography.com/Second-Nature Thu, 01 Dec 2011 17:23:23 +0000 Kyle Ford Photography 2233948 <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord10_800.jpg" width="800" height="411" width_o="800" height_o="411" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord10_o.jpg" data-mid="11225579" border="0" align="left"/>"The Majestic Oak," Majestic Oaks Housing Development At more than three hundred years old, this tree stands as a sentinel, witness to centuries of development and change. The tree’s intrepid strength as a living organism aside, the “Majestic Oak” still stands today for one reason: its aesthetic characteristics. Without which, the tree would most definitely have fallen the way of the forest once surrounding it. The Majestic Oak survives as a reminder of a decision made long ago to preserve a specific aesthetic. Eventually, the act of choosing begins a perpetuation; one aesthetic choice begets another, begets another, slowly defining a subconscious vision of what beauty is. Only the chosen are experienced. Thus, only the chosen can be remembered. Second Nature focuses on ideas of perception, representation, and interaction surrounding the natural world. This series is a catalog of the varied ways we go about [re]contextualizing the 'natural world' for display and public consumption. Shot with a large format camera, these images are highly processed and manipulated to embody the oversaturated, glitzy aesthetic often found in today’s media. Digital manipulation and compositing of multiple negatives is regularly used to create a “more perfect” rendering of the scene, referential to the decided “nature” it represents. <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord05_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord05_o.jpg" data-mid="11225266" border="0" align="left"/>Flickr Photographer, Miami Botanical Gardens <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord02_800.jpg" width="800" height="652" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord02_o.jpg" data-mid="11225271" border="0" align="left"/>Billboard with Trees, Savannah, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord21_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord21_o.jpg" data-mid="11225278" border="0" align="left"/>The "Ultra Majestic Mountain," Wyomissing, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord12_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord12_o.jpg" data-mid="11225290" border="0" align="left"/> Picnic Table, Scenic Toll Road, Whiteface Mt, NY <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord19_800.jpg" width="800" height="600" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord19_o.jpg" data-mid="11225490" border="0" align="left"/>LED Wall Display, Comcast Center, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord09_800.jpg" width="800" height="569" width_o="800" height_o="569" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord09_o.jpg" data-mid="11225499" border="0" align="left"/>The Whale Shark Tank, Atlanta, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/ShamuMasterFP_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/ShamuMasterFP_o.jpg" data-mid="11225501" border="0" align="left"/>Shamu, Sea World, FL <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord08_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord08_o.jpg" data-mid="11225510" border="0" align="left"/>The "Greatest Show on Earth," Parking Lot, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord07_800.jpg" width="800" height="614" width_o="800" height_o="614" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord07_o.jpg" data-mid="11225512" border="0" align="left"/>Lion in the Bushes, Northwoods Inn Lobby, NY <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord17_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord17_o.jpg" data-mid="11225515" border="0" align="left"/>Dick's Elephant, Cabela's, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord03_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord03_o.jpg" data-mid="11225517" border="0" align="left"/>The "Jungle Room," Miami Botanical Gardens <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord16_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord16_o.jpg" data-mid="11225525" border="0" align="left"/>Lions, Leopards, and Antelope, Cabela's, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord15_800.jpg" width="800" height="533" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord15_o.jpg" data-mid="11225528" border="0" align="left"/>"Expedition Everest," Disney's Animal Kingdom, FL "The Majestic Oak," Majestic Oaks Housing Development At more than three hundred years old, this tree stands as a sentinel, witness to centuries of development and... Tearsheets http://www.kylefordphotography.com/Tearsheets http://www.kylefordphotography.com/following/kylefordphotography.com/Tearsheets Wed, 09 Nov 2011 16:55:38 +0000 Kyle Ford Photography 2281467 POP PHOTO <img src="http://payload.cargocollective.com/1/5/165221/2281467/POPPHOTO TEARSHEET-2_800.jpg" width="800" height="533" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/5/165221/2281467/POPPHOTO TEARSHEET-2_o.jpg" data-mid="24882451" border="0" align="left"/> ELLE MEN CHINA <img src="http://payload.cargocollective.com/1/5/165221/2281467/ELLE MEN CHINA CONTRIBUTOR-1_800.jpg" width="800" height="533" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ELLE MEN CHINA CONTRIBUTOR-1_o.jpg" data-mid="27896954" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/ELLE MEN CHINA CONTRIBUTOR-2_800.jpg" width="800" height="533" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ELLE MEN CHINA CONTRIBUTOR-2_o.jpg" data-mid="27896948" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 1_800.jpg" width="800" height="529" width_o="800" height_o="529" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 1_o.jpg" data-mid="27760233" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 2_800.jpg" width="800" height="510" width_o="800" height_o="510" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 2_o.jpg" data-mid="27760231" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 3_800.jpg" width="800" height="514" width_o="800" height_o="514" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 3_o.jpg" data-mid="27760230" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 4_800.jpg" width="800" height="520" width_o="800" height_o="520" src_o="http://payload.cargocollective.com/1/5/165221/2281467/ElleMenCHINA Tearsheet 4_o.jpg" data-mid="27760229" border="0" align="left"/> NEWSWEEK JAPAN <img src="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg1_800.jpg" width="800" height="539" width_o="833" height_o="562" src_o="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg1_o.jpg" data-mid="11445165" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg2_800.jpg" width="800" height="539" width_o="833" height_o="562" src_o="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg2_o.jpg" data-mid="11445176" border="0" align="left"/> OPRAH MAGAZINE10th ANNIVERSARY EDITION <img src="http://payload.cargocollective.com/1/5/165221/2281467/OprahMagazine_800.jpg" width="800" height="518" width_o="865" height_o="561" src_o="http://payload.cargocollective.com/1/5/165221/2281467/OprahMagazine_o.jpg" data-mid="11445186" border="0" align="left"/> POP PHOTO ELLE MEN CHINA NEWSWEEK JAPAN OPRAH MAGAZINE10th ANNIVERSARY EDITION Contact http://www.kylefordphotography.com/Contact http://www.kylefordphotography.com/following/kylefordphotography.com/Contact Wed, 02 Nov 2011 23:58:38 +0000 Kyle Ford Photography 2245571 <img src="http://payload.cargocollective.com/1/5/165221/2245571/selfportrait001.jpg" width="592" height="720" width_o="592" height_o="720" src_o="http://payload.cargocollective.com/1/5/165221/2245571/selfportrait001_o.jpg" data-mid="11240656" border="0" align="left"/> Kyle Ford E kyle@kylefordphotography.com T 518.791.9983 @kylefordphoto (refresh for tweets) Represented Online by: Gallery Stock: Web: www.gallerystock.com New York: 212.219.6041 London: + 44 (0) 207.033.6960 Photo-Eye: Website: www.photoeye.com Tele: 800.227.6941 Sponsored by: EASTMAN KODAK Kyle Ford E kyle@kylefordphotography.com T 518.791.9983 @kylefordphoto (refresh for tweets) Represented Online by: Gallery Stock: Web: www.gallerystock.com New... CV http://www.kylefordphotography.com/CV http://www.kylefordphotography.com/following/kylefordphotography.com/CV Wed, 02 Nov 2011 15:29:16 +0000 Kyle Ford Photography 2243459 Online Features: 2013 Kodak 2013 Pop Photo 2012 CNFILM 2012 New Landscape Photography 2012 Looking At The Land, RISD, Curated by Andy Adams 2012 CNFILM 2012 Flak Photo 2012 Photoeye Blog 2012 Featureshoot 2012 Peanutbutter Thoughts 2012 Skip Town 2012 Showmepictures.co.uk 2011 Flak Photo 2011 Plane of Focus 2010 Flak Photo 2009 Featureshoot 2009 Flak Photo 2009 Newsweek Japan Selected Exhibitions: 2012 Looking At The Land, 21st Century American Views, Museum of Art, RISD 2011 Second Nature, Gallery 7444, NY* 2011 North Kowloon Magistracy, HK, China 2010 HyperReal, Museum of Fine Arts, Florida State University, FL 2010 Disposable, Dina Mitrani Gallery, Miami, FL 2010 Emerging Artists, Daniel Cooney Fine Art, New York City, NY 2009 Silver and Ink, Shek Kip Mei Jockey Club Gallery, HK, China 2009 The Academy Show, Conner Contemporary, DC 2009 Second Nature, May Poetter Gallery, Savannah, GA* 2008 Emerging Artists, Daniel Cooney Fine Art, New York City, NY 2008 Photocentric, Museum of Fine Arts, FSU, FL 2008 Second Nature, Curator and Artist, DeSoto Row Gallery, Savannah, GA 2007 Paradise Bought, TruSpace Gallery, Savannah, GA* *Solo Shows Selected Publications and Press: 2013 Elle Men, China, Contributor 2013 Popular Photography, Feature 2013 Morgan Stanley Smith and Barney LLC 2012 NPR Picture Show, Review LAL 2012 The Wall Street Journal 2012 The Chicago Tribune, Online 2011 Morgan Stanley Smith and Barney LLC 2011 Donna, Germany 2011 Royal Caribbean International, Celebrity Silhouette Catalogue 2010 O Magazine, Orprah’s 10th Anniversary Edition, Editorial and Online 2010 Best Photography 2010, Photographer’s Forum Magazine 2010 El Nuevo Herald, Art Critic, Janet Batet, Miami, FL 2010 Magenta Flash Forward, 2010 2009 Newsweek Japan, Picture Power, Editorial Feature and Online 2009 The Post-Star, Art Critic, Jordan Reardon 2009 The Washington Post, Art Critic, Blake Gopnik, DC 2009 Oculus, Graduate Survey, Tyler School of Art, Temple University 2009 Silver and Ink, Savannah College of Art and Design Grants, Fellowships, Awards, Etc: 2012 Society for Photographic Education, Adjunct Faculty Northeast Region Fellowship 2012 Adirondack Life Magazine, Annual Photo Contest, Juror 2010 Faculty Development Grant, Skidmore College 2010 Flash Forward 2010, Magenta Foundation, Finalist, HM 2008 Critical Mass Finalist, Photolucida 2008 Society for Photographic Education Scholarship Recipient 2006 Artistic Fellowship, Savannah College of Art and Design, GA Permanent/Private Collections: Museum of Art, Rhode Island School of Design Royal Caribbean International, Ltd. Savannah College of Art and Design Presidential Collection Permanent Collection, Skidmore College Represented Online by: Gallery Stock: Web: www.gallerystock.com New York Tele: 212.219.6041 Photo-Eye: Website: www.photoeye.com Tele: 800.227.6941 Sponsored by: EASTMAN KODAK Online Features: 2013 Kodak 2013 Pop Photo 2012 CNFILM 2012 New Landscape Photography 2012 Looking At The Land, RISD, Curated by Andy Adams 2012 CNFILM 2012 Flak...