http://www.kylefordphotography.com Kyle Ford Photography Thu, 09 Feb 2012 15:15:24 +0000 http://www.kylefordphotography.com en http://www.kylefordphotography.com/Words-on-Photography http://www.kylefordphotography.com/following/kylefordphotography.com/Words-on-Photography Thu, 09 Feb 2012 15:15:24 +0000 Kyle Ford Photography 2775985 A Statement - Robert Frank Art Motive in Photography - Strand The Author As Producer - Benjamin The Photographic Message - Barthes Rhetoric of the Image - Barthes Image Death of the Author - Barthes The Ontology of the Photographic Image - Bazin A Small History of Photography - Benjamin Understanding a Photograph - Berger Of Mother Nature and Marlboro Men - Bright Equivalence The Perennial Trend - White Essay From Pictures - Crimp How I Came to Photograph Clouds - Steiglitz Interview - Winogrand Simulacra and Simulations - Baudrillard Photography - Kracauer Of Other Spaces, Heterotopias - Foucault Not Pictorial - Weston The Discourse of Others - Owens Photography is Easy, Photography is Difficult - Graham The Unreasonable Apple - Graham The Photographer's Eye - Szarkowski Photographic Journalism - Smith In, Around, and Afterthoughts - Rosler Reading an Archive - Sekula All above texts available in a single .zip file HERE. http://www.kylefordphotography.com/Forever-Wild http://www.kylefordphotography.com/following/kylefordphotography.com/Forever-Wild Wed, 01 Feb 2012 00:37:33 +0000 Kyle Ford Photography 2233885 This project is brought to you in part by a generous donation from Eastman Kodak. <img src="http://payload.cargocollective.com/1/5/165221/2233885/LotForSale_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/LotForSale_o.jpg" data-mid="11249950" border="0" align="left"/>Lot For Sale <img src="http://payload.cargocollective.com/1/5/165221/2233885/Bigelow Road_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Bigelow Road_o.jpg" data-mid="11231741" border="0" align="left"/>Nicholas, On Bigelow Road <img src="http://payload.cargocollective.com/1/5/165221/2233885/Sherriff-sCabin_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Sherriff-sCabin_o.jpg" data-mid="12047572" border="0" align="left"/>Sheriff's Cabin <img src="http://payload.cargocollective.com/1/5/165221/2233885/MattinWanakena_800.jpg" width="800" height="1007" width_o="800" height_o="1007" src_o="http://payload.cargocollective.com/1/5/165221/2233885/MattinWanakena_o.jpg" data-mid="12047587" border="0" align="left"/>Matthew, Wanakena <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFishandGameClub_800.jpg" width="800" height="636" width_o="800" height_o="636" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFishandGameClub_o.jpg" data-mid="11201852" border="0" align="left"/>Clay Pigeons <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFlume_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFlume_o.jpg" data-mid="11188811" border="0" align="left"/>The Flume <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheGeneralStore_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheGeneralStore_o.jpg" data-mid="11190853" border="0" align="left"/>General Store <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheHurricane_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheHurricane_o.jpg" data-mid="11196072" border="0" align="left"/>After the Hurricane <img src="http://payload.cargocollective.com/1/5/165221/2233885/St.Gabriels_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/St.Gabriels_o.jpg" data-mid="11196101" border="0" align="left"/>St. Gabriel's <img src="http://payload.cargocollective.com/1/5/165221/2233885/FrontierTownv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/FrontierTownv2_o.jpg" data-mid="12047578" border="0" align="left"/>Frontier Town <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFloodv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFloodv2_o.jpg" data-mid="12047580" border="0" align="left"/>The Flood <img src="http://payload.cargocollective.com/1/5/165221/2233885/katespigs_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/katespigs_o.jpg" data-mid="11356246" border="0" align="left"/>Kate and Her Pigs <img src="http://payload.cargocollective.com/1/5/165221/2233885/SherwoodForest_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/SherwoodForest_o.jpg" data-mid="12047569" border="0" align="left"/>Motor Inn <img src="http://payload.cargocollective.com/1/5/165221/2233885/DustinAfterAlec_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/DustinAfterAlec_o.jpg" data-mid="14227033" border="0" align="left"/>Dustin (after Alec) <img src="http://payload.cargocollective.com/1/5/165221/2233885/Beaver Lodge_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Beaver Lodge_o.jpg" data-mid="12047581" border="0" align="left"/>Roadside Swamp with Beaver Lodge <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheHunter_800.jpg" width="800" height="636" width_o="800" height_o="636" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheHunter_o.jpg" data-mid="12047576" border="0" align="left"/>Hunter <img src="http://payload.cargocollective.com/1/5/165221/2233885/TheFirstSnowVERT_800.jpg" width="800" height="1000" width_o="800" height_o="1000" src_o="http://payload.cargocollective.com/1/5/165221/2233885/TheFirstSnowVERT_o.jpg" data-mid="13971361" border="0" align="left"/>Boat Launch at First Snow <img src="http://payload.cargocollective.com/1/5/165221/2233885/Field with Light_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233885/Field with Light_o.jpg" data-mid="14790610" border="0" align="left"/>Field with Light The Adirondack Mountains In the 1890’s a boundary of 6.1 million acres in northern New York, known as the “blue line,” was placed under constitutional protection forming the largest park in the continental US. Since then, public land in this place has been governmentally sanctioned as “forever wild.” Currently in progress, these images are a series about the relationship between the land and inhabitants of this park. This body of work is currently being shot and thus regularly altered. Return frequently to watch the series evolve. http://www.kylefordphotography.com/An-American-Road-Trip http://www.kylefordphotography.com/following/kylefordphotography.com/An-American-Road-Trip Thu, 01 Dec 2011 23:23:40 +0000 Kyle Ford Photography 2242782 <img src="http://payload.cargocollective.com/1/5/165221/2242782/4843-36.5722N 11343-26.9122W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/4843-36.5722N 11343-26.9122W_o.jpg" data-mid="11226439" border="0" align="left"/>48°43'36.57"N 113°43'26.91"W Informed by the visual lexicon of the ‘great American road trip’, this work ponders the mediated and often predetermined nature of our experience with our country’s landscape. Emphasis is placed on locations, views, and subjects repeated throughout our landscape’s photographic history. Using a large format camera and Google street view, I have been capturing roadside vistas of iconic locations fitting for the canon of the great American road trip. Often times, the exact choice of subject, or best general view, is determined by the amount of photographs taken at a given location and posted to social media sites like Panoramio and Flickr. <img src="http://payload.cargocollective.com/1/5/165221/2242782/3602-52.3922N 11205-39.0022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3602-52.3922N 11205-39.0022W_o.jpg" data-mid="11226443" border="0" align="left"/>36°02'52.39"N 112°05'39.00"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3935-15.7622N 10538-32.1622W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3935-15.7622N 10538-32.1622W_o.jpg" data-mid="11226450" border="0" align="left"/>39°35'15.76"N 105°38'32.16"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3743-14.0022N 11938-54.5022Wv2_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3743-14.0022N 11938-54.5022Wv2_o.jpg" data-mid="11226458" border="0" align="left"/>37°43'14.00"N 119°38'54.50"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3638-22.5522N 10849-32.7222W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3638-22.5522N 10849-32.7222W_o.jpg" data-mid="11226473" border="0" align="left"/>36°38'22.55"N 108°49'32.72"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3742-54.6622N 11940-35.4922W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3742-54.6622N 11940-35.4922W_o.jpg" data-mid="11226512" border="0" align="left"/>37°42'54.66"N 119°40'35.49"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3659-06.4722N 11010-50.9022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3659-06.4722N 11010-50.9022W_o.jpg" data-mid="11226523" border="0" align="left"/>36°59'06.47"N 110°10'50.90"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/4432-05.9722N 11048-06.5322W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/4432-05.9722N 11048-06.5322W_o.jpg" data-mid="11226548" border="0" align="left"/>44°32'05.97"N 110°48'06.53"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3742-14.0022N 11940-54.5022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3742-14.0022N 11940-54.5022W_o.jpg" data-mid="11226712" border="0" align="left"/>37°42'14.00"N 119°40'54.50"W <img src="http://payload.cargocollective.com/1/5/165221/2242782/3744-23.2322N 11934-15.8022W_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2242782/3744-23.2322N 11934-15.8022W_o.jpg" data-mid="11226715" border="0" align="left"/>37°44'23.23"N 119°34'15.80"W http://www.kylefordphotography.com/Auragraph http://www.kylefordphotography.com/following/kylefordphotography.com/Auragraph Thu, 01 Dec 2011 23:23:33 +0000 Kyle Ford Photography 2347279 <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph001_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph001_o.jpg" data-mid="11794018" border="0" align="left"/> Inset of Front <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph002_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph002_o.jpg" data-mid="11794019" border="0" align="left"/> Inset of Corner <img src="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph004_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload2.cargocollective.com/1/5/165221/2347279/auragraph004_o.jpg" data-mid="11794020" border="0" align="left"/> Inset of Back ARTIST STATEMENT A record formed from the emanation or exhalation existent in the presence of a moment. Every experience or event is recorded in our memory through a series of chemical changes within our body. Each of which are directly dependent upon events unique circumstances. Similarly, the process of exposing a light-sensitive sheet of paper to the atmosphere of an event physically and chemically alters its form, forever changing its future state. This work attempts to encapsulate the aura of a moment. It is not an accurate visual or aural document of an event, but rather a document present during a moment and thus forever altered by that moment. Consider if you will the supra-sensuous experience often felt when handling historic objects existent during a certain period in time. Differing from a photographic print, separated by glass, then negative, then glass again in the enlarger, the auragraph comes in direct contact with the moment. Rid of all other descriptive qualities -visual, aural, or otherwise- the auragraph suggests an uninfluenced view of the exhalation of a moment. PROCESS STATEMENT An auragraph is produced by pulling photographic paper from its light-tight container and exposing it to the elements of a specific moment in time. Upon the passing of that moment the chemically altered sheet of paper is resealed in its container before being processed in a traditional dark room, fixing its altered state permanently. http://www.kylefordphotography.com/Second-Nature http://www.kylefordphotography.com/following/kylefordphotography.com/Second-Nature Thu, 01 Dec 2011 23:23:23 +0000 Kyle Ford Photography 2233948 <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord10_800.jpg" width="800" height="411" width_o="800" height_o="411" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord10_o.jpg" data-mid="11225579" border="0" align="left"/>The Majestic Oak, Majestic Oaks Housing Development At more than three hundred years old, this tree stands as a sentinel, witness to centuries of development and change. Saying nothing of the tree’s intrepid strength as a living organism, the “Majestic Oak” still stands today for one reason: its aesthetic characteristics. Without which, the tree would most definitely have fallen the way of the forest once surrounding it. The Majestic Oak survives as a reminder of a decision made long ago to preserve a specific aesthetic. Eventually, the act of choosing begins a perpetuation; one aesthetic choice begets another, begets another, slowly defining a subconscious vision of what beauty is. Only the chosen are experienced. Thus, only the chosen can be remembered. This series examines the way Americans represent the natural world through display. Within this series, decided manipulations like selective preservation and engineered wilderness act as a lens to explore ideas of mediated experience, perpetuated aesthetics, and transformative hyper-reality. This series is a catalogue of the varied ways we go about re-contextualizing the “natural world,” and thus, redefining the way we perceive it. <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord05_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord05_o.jpg" data-mid="11225266" border="0" align="left"/>Flickr Photographer, Miami Botanical Gardens <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord02_800.jpg" width="800" height="652" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord02_o.jpg" data-mid="11225271" border="0" align="left"/>Billboard with Trees, Savannah, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord21_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord21_o.jpg" data-mid="11225278" border="0" align="left"/>The "Ultra Majestic Mountain," Wyomissing, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord12_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord12_o.jpg" data-mid="11225290" border="0" align="left"/> Picnic Table, Scenic Toll Road, Whiteface Mt, NY <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord19_800.jpg" width="800" height="600" width_o="800" height_o="600" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord19_o.jpg" data-mid="11225490" border="0" align="left"/>LED Wall Display, Comcast Center, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord09_800.jpg" width="800" height="569" width_o="800" height_o="569" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord09_o.jpg" data-mid="11225499" border="0" align="left"/>The Whale Shark Tank, Atlanta, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/ShamuMasterFP_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/ShamuMasterFP_o.jpg" data-mid="11225501" border="0" align="left"/>Shamu, Sea World, FL <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord08_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord08_o.jpg" data-mid="11225510" border="0" align="left"/>The "Greatest Show on Earth," Parking Lot, GA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord07_800.jpg" width="800" height="614" width_o="800" height_o="614" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord07_o.jpg" data-mid="11225512" border="0" align="left"/>Lion in the Bushes, Northwoods Inn Lobby, NY <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord17_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord17_o.jpg" data-mid="11225515" border="0" align="left"/>Dick's Elephant, Cabela's, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord03_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord03_o.jpg" data-mid="11225517" border="0" align="left"/>The "Jungle Room," Miami Botanical Gardens <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord16_800.jpg" width="800" height="640" width_o="800" height_o="640" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord16_o.jpg" data-mid="11225525" border="0" align="left"/>Lions, Leopards, and Antelope, Cabela's, PA <img src="http://payload.cargocollective.com/1/5/165221/2233948/KFord15_800.jpg" width="800" height="533" width_o="800" height_o="533" src_o="http://payload.cargocollective.com/1/5/165221/2233948/KFord15_o.jpg" data-mid="11225528" border="0" align="left"/>"Expedition Everest," Disney's Animal Kingdom, FL PROCESS STATEMENT Shot with a large format camera, these images are highly processed and manipulated to embody the oversaturated, glitzy aesthetic often found in today’s media. Digital manipulation and compositing of multiple negatives is regularly used to create a “more perfect” rendering of the scene, referential to the decided “nature” it represents. http://www.kylefordphotography.com/Tearsheets http://www.kylefordphotography.com/following/kylefordphotography.com/Tearsheets Wed, 09 Nov 2011 22:55:38 +0000 Kyle Ford Photography 2281467 <img src="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg1_800.jpg" width="800" height="539" width_o="833" height_o="562" src_o="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg1_o.jpg" data-mid="11445165" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg2_800.jpg" width="800" height="539" width_o="833" height_o="562" src_o="http://payload.cargocollective.com/1/5/165221/2281467/NewsweekJapanpg2_o.jpg" data-mid="11445176" border="0" align="left"/>Newsweek Japan <img src="http://payload.cargocollective.com/1/5/165221/2281467/OprahMagazine_800.jpg" width="800" height="518" width_o="865" height_o="561" src_o="http://payload.cargocollective.com/1/5/165221/2281467/OprahMagazine_o.jpg" data-mid="11445186" border="0" align="left"/>Oprah Magazine 10th Anniversary http://www.kylefordphotography.com/Contact http://www.kylefordphotography.com/following/kylefordphotography.com/Contact Thu, 03 Nov 2011 04:58:38 +0000 Kyle Ford Photography 2245571 <img src="http://payload.cargocollective.com/1/5/165221/2245571/selfportrait001.jpg" width="592" height="720" width_o="592" height_o="720" src_o="http://payload.cargocollective.com/1/5/165221/2245571/selfportrait001_o.jpg" data-mid="11240656" border="0" align="left"/> Kyle Ford kyle@kylefordphotography.com T 518.791.9983 Represented Online by: Gallery Stock: Web: www.gallerystock.com New York: 212.219.6041 London: + 44 (0) 207.033.6960 Photo-Eye: Website: www.photoeye.com Tele: 800.227.6941 Sponsored by: EASTMAN KODAK http://www.kylefordphotography.com/CV http://www.kylefordphotography.com/following/kylefordphotography.com/CV Wed, 02 Nov 2011 20:29:16 +0000 Kyle Ford Photography 2243459 Selected Exhibitions: 2012 On The Road, PhotoPlace Gallery, VT 2011 Second Nature, Gallery 7444, NY* 2011 North Kowloon Magistracy, HK, China 2010 HyperReal, Museum of Fine Arts, Florida State University, FL 2010 Disposable, Dina Mitrani Gallery, Miami, FL 2010 Emerging Artists, Daniel Cooney Fine Art, New York City, NY 2009 Selected Faculty Exhibition, Schick Art Gallery, Skidmore College 2009 Silver and Ink, Shek Kip Mei Jockey Club Gallery, HK, China 2009 The Academy Show, Conner Contemporary, DC 2009 Second Nature, May Poetter Gallery, Savannah, GA* 2008 Emerging Artists, Daniel Cooney Fine Art, New York City, NY 2008 Photocentric, Museum of Fine Arts, FSU, FL 2008 Second Nature, Curator and Artist, DeSoto Row Gallery, Savannah, GA 2007 Paradise Bought, TruSpace Gallery, Savannah, GA* 2007 TruSpace Gallery, Savannah, GA *Indicates Solo Shows Selected Publications and Press on Fine Art: 2012 Featureshoot.com, Onilne Artist Feature 2012 Peanutbutterthoughts.com, Online 2012 Skip Town, Fine-Art Travel, Online 2012 Showmepictures.co.uk, Online 2012 The Wall Street Journal 2012 The Chicago Tribune, Online 2011 Plane of Focus by Zane Davis, Online 2011 Morgan Stanley, Financial Report 2011 Donna, Germany 2011 Flakphoto.com, Online 2011 Royal Caribbean International, Celebrity Silhouette Catalogue 2010 O Magazine, Orprah’s 10th Anniversary Edition, Editorial and Online 2010 Best Photography 2010, Photographer’s Forum Magazine 2010 El Nuevo Herald, Art Critic, Janet Batet, Miami, FL 2010 Flakphoto.com, Online 2010 Magenta Flash Forward, 2010 2009 Newsweek Japan, Picture Power, Editorial Feature and Online 2009 The Post-Star, Review, Jordan Reardon 2009 Nationwide Campaign, advert post., Frank’s Red Hot 2009 The Washington Post, Art Critic, Blake Gopnik, DC 2009 Instyle Magazine, SCAD advert post. 2009 Flakphoto.com, Online 2009 Featureshoot.com, Online 2009 New York Times, Travel, Online 2009 Oculus, Graduate Survey, Tyler School of Art, Temple University 2009 Silver and Ink, Savannah College of Art and Design Grants, Fellowships, Awards, Etc: 2012 Adirondack Life Magazine, Annual Photo Contest, Juror 2010 Faculty Development Grant, Skidmore College 2010 Flash Forward 2010, Magenta Foundation, Finalist, HM 2008 Critical Mass Finalist, Top 175, Photolucida 2008 Society for Photographic Education Scholarship Recipient 2006 Artistic Fellowship, Savannah College of Art and Design, GA Permanent/Private Collections: Royal Caribbean International, Ltd. Andre Leon Talley, Editor-At-Large, Vogue Magazine Savannah College of Art and Design Presidential Collection Permanent Collection, Skidmore College Represented Online by: Gallery Stock: Web: www.gallerystock.com New York Tele: 212.219.6041 Photo-Eye: Website: www.photoeye.com Tele: 800.227.6941 Sponsored by: EASTMAN KODAK